It’s the first day of 2021! Is anyone else still stuck in March 2020?? No? Just me, then…
While it’s easy to look back on 2020 and think, “Oh my god, this year sucked,” (and let’s face it: this isn’t one we’ll look back on wistfully) it’s really important – for me at least – to take stock of what I learned this year.
- Time is valuable. For me, this was the number one lesson of this year. Time will continue to pass no matter what you decide to do with it. And, as we’ve all seen, your time and your abilities can be cut short at any moment. Whether it was by quarantine, illness, or a death, we have been hit with a reminder that absolutely nothing is guaranteed.
- Be in charge of your own happiness. For most of us this year, we were cut off from many usual sources of entertainment: travel, movies, concerts, hanging out with friends, even going out to eat. This meant we all had to get a little creative, or try new things. I personally found that I am really and truly an introvert. While I missed my tennis matches, Bachelorette nights, and writing group, I also enjoyed the time I was able to spend hanging out at home and learning new things. I learned how to garden, tried my hand at video game programming (learning still in progress), and found a new appreciation for at-home solo exercise (shout out to the Nike Run and Nike Train Club apps… you the real MVPs). I finished the manuscript for my sci-fi book and will be sending it out to agents this month (Eep!). The thing is, everything outside our own little worlds can change in an instant. This year was yet another reminder to me that I can choose to be happy and thrive no matter the circumstances.
- Technology is truly amazing. Maybe this goes without saying. Of course it’s amazing. But I know I take technology for granted. It’s not something I give conscious thought to, even though it’s in every single aspect of our lives, from our coffee makers to our smart phones to our jobs. It makes everything so convenient. This year, though, it became imperative. I meet with my writing group every Thursday via Zoom so we can critique each other’s work and provide new ideas. Without technology, we would have…sent each other letters? Tried to meet in a park in the Texas heat? More likely, we simply wouldn’t have met at all. How many people would have been cut off from the world entirely without technology? Social media can be toxic, but this year it became a lifeline.
Now for the resolutions. I’ve never really been much of a New Year’s Resolution type of person. You can choose to make a change any day of the year; no need to wait for January 1. However, moving into 2021, I think it’s important not to forget everything we learned in 2020. I’ll keep it short and sweet:
Keep learning. Choose happiness. Tell your people you love them.
What are your resolutions for this year?
What I’m reading: Leo Tolstoy’s War and Peace
I know. War and Peace? The giant one with the little writing? By that Russian guy? Yep. That one. It’s definitely not something I would normally pick up. I’m more of a sci-fi, fantasy, horror, mystery type of gal. So this historical novel that is more of a tome than anything falls well outside my wheelhouse. But, hear me out. I try to live by the idea that you can learn something from everyone and everything. Yes, even that guy in traffic that cut you off – he can help teach you empathy. Working from this idea, it would be naive of me to think I could not learn something from this epic. Thus far, Tolstoy’s descriptions of the people and settings are phenomenal, and he doesn’t go on for 18 pages describing a rose bush (looking at you, Nathaniel Hawthorne). I can definitely take something away from that. Reviews on the book that I’ve read also mention how human and real his characters are – something I am hoping to learn more about as I progress in W&P. Will I finish it? Maybe not. If I learn something, it was worth it.
What I’m watching: Jurassic Park Series on Netflix (US)
No, it’s not a tv show series. It’s the movie series from the 90s! I’m a huge dino nerd. Since I was a kid, I’ve been fascinated (and a little terrified) by dinosaurs. How did such enormous creatures die off? How did they exist in the first place??? Anyway, enter Jurassic Park. In my opinion, totally worth a re-watch. They hold up for me. The CG – especially for the time – still looks good. The jump scares are there, not to mention the iconic movie score. Trust me. Watch ’em before they’re off Netflix again.
What I’m listening to: 2020 Spotify Wrapped
Whoever thought of the Spotify Wrapped playlists at Spotify deserves an award. I love these things. It’s so fun to look back at music you discovered this year, as well as old favorites that played on repeat. Are you a Spotify person, too? Check out my 2020 Top Songs here:
Let me start by saying that I really enjoy Ruth Ware’s writing. I find she is able to keep me guessing until she decides she wants to let me in on the twist. So when a friend of mine said there was a new Ruth Ware book out, I had to have it.
Y’all. I blasted through this 369 page book in less than 3 days. I’m a busy lady, so keeping me engaged that fully is truly a feat.
One by One is inspired by Agatha Christie’s And Then There Were None. It’s a murder mystery driven by a killer that’s in the house.
There are two narrators in this book: Erin and Liz. The author does a great job of using multiple narrators to drive the story forward rather than letting them hinder it. Related to this, the author created distinct characters outside the narrators. I’m someone that really needs to see the characters and setting. When I’m reading, it’s like I’m watching a movie in my head. She totally nailed it there.
The twist really upped the ante, and the author used this reveal to create really intense tension. My heart was pounding. I absolutely could not put this book down once the twist was revealed. Sorry, pup, our walk has been postponed! Just one more chapter….
I felt the two narrators had a very similar voice despite being two different people. This could have been intentional on the part of the author, as if to say they’re not that different after all. For me though, I’d have liked to see more distinction in their thought patterns and not just in their histories.
I also think if you’re a seasoned mystery reader, the twist might have jumped out at you from the start. Though I didn’t guess it, looking back, all the signs were there. (If I’m honest, I’m kind of stretching to put this in the “bad” section. Isn’t it a quality of a good mystery to have everything line up at the end?)
I’ll actually give this one a 5/5. I might be biased – Ruth Ware fan here – but this is one I’ll definitely pick up again. It has a nice cozy mystery vibe, and I’ve recommended it to friends of mine looking for that.
Trigger WarningThis review will discuss triggering content explored in Maya Angelou’s book, including childhood abuse and trauma, rape, and racism.
This book is a classic for a reason. In I Know Why the Caged Bird Sings, Maya Angelou does not pull a single punch. She is matter-of-fact when discussing the prejudice and racism inflicted upon her from a young age. She is fearless in her retelling of a childhood rape. Dr. Angelou writes about such heavy issues with a hand that says, “Here it is – keep looking.”
This book is fantastically written. I may be partial as a poet myself, but I loved the way Dr. Angelou wrote, as though the whole book were a work of poetry. She fit words together in such a way that I was left reeling. I think this is a difficult thing to do for a novel-length piece. However, I believe it was executed in such a way that it enhanced the book rather than overwhelming it.
I also have to laud the honesty of the piece. It takes great courage to write so openly about trauma and tragedy. Imagine as a child a white woman decides your name is too hard to pronounce and therefore calls you something else entirely. The dehumanization of that single act is something that has remained at the forefront of my mind. This book is a reminder that, though we have come a long way, we still have a long way to go.
I’ll be honest – this book took me weeks to get through. I enjoyed the way it was written, and the story is compelling with good pacing. So what was the issue? The problem for me lay within myself, not the book. The subject matter is really heavy. Given the current climate of Black Lives Matter and #MeToo, as well as my own traumas, at times I had to put this book down and walk away, sometimes for days at a time. I needed time to process what I was reading and the emotions evoked by the author.
I also felt that the ending was a little abrupt. But, considering it’s the first in a decent-sized series, I get why she ended there. It made me want to know what happened next.
Overall, I’ll give this book a 4/5. The subject matter is profoundly important, so it is a must-read for everyone, in my opinion. That said, because of the weight of the subject matter, I don’t think this is a book I’ll be picking up for a second read in the near future.
In my backyard, there’s a patch of dirt that absolutely refuses to grow grass. I say “patch,” but truthfully, it’s probably sixty percent of the total backyard area. When it rains, the dirt patch becomes a mud patch. It’s treacherously slick when wet and takes days to dry out. I never paid it much attention until it became The dirt patch. I didn’t appreciate the grass that grew in spite of the Texas heat. It was only a fact; quite literally, just a part of the scenery.
Years ago, we had our siding replaced. During the replacement process, the contractors left debris on the grass. Trash not taken care of immediately has a way of multiplying and traveling. To this very day, I can go into the dirt patch and find leftover old siding pieces that the dirt patch has claimed for its own. That grass underwent trauma for weeks during the construction until, finally, it ceased to exist.
Two years ago, my best friend died. Her death was expected, but sudden. The trauma rolled over me in waves until, like the grass, I ceased to exist. Some might call it dissociation. Others might say it was a depressive episode. I was a specter in my own life, fighting against the void that constantly threatened to drown me.
Months flipped by like too-slow frames in an old movie, and I hardly noticed their passing. Holidays came and went in a flurry of uncomfortable stares and “how are you doing?”s. I found out quickly that many people who asked, though well-meaning, didn’t want a truthful answer. I fell back on “I’m fine”s and plastered-on smiles followed by escapes to the bathroom.
I would stare at my reflection without recognizing the face looking back. She was a stranger. Someone I’d seen a few times, maybe in passing at the grocery store or at a yoga class. Had her eyes always been that color? Had she always been so pale? When was the last time she’d slept though the night? My cheekbones strained at my thinning skin and I wondered if I’d eaten.
Time is a heartless teacher, and she drove ever forward. She hardened me, closed me off. In some ways, I felt betrayed by such a sudden death, as though it was a personal offense. In truth, I wasn’t owed anything by a woman on her deathbed. I’m still not owed anything. But in the stillness of night while the world around me sleeps, I still feel the ghost of that old hurt settle into the bed beside me.
I found days difficult to navigate; it was as if the earth had shifted on its axis but no one told me. My own self-imposed writing deadlines, dutifully met in the past, came and went with nothing to show for them. Projects fell to the wayside. My husband stood sentry, concerned for me but letting me have space, making sure I was cared for while I weathered the storm raging inside me.
Looking back, there are at least six months in my memory that are unaccounted for. Blank. If I see pictures from that time, the memory is hazy, as though someone else is describing the scene to me.
Before I’d gotten confirmation of her passing, I felt it like a physical thing. I felt her absence from the earth in my bones. When she died, I felt a part of me – a vital, blood-of-my-blood part of me – die, too.
After her death, I shared this on social media:
Today, the world stopped making sense to me. Today, I found out my best friend passed on Friday evening. I’m angry, I’m soul-crushingly sad, and even a little scared for the future ahead without her. If you met Madi, you had no option but to love her. She was kind, strong, smart, and she had a way of making you feel like you were all of those things too. I’ll miss her teasing me about the fact that I can’t work foreign toilets. I’ll miss trading recipes and having whole conversations in Harry Potter quotes. I’ll miss staying up way too late on the weeks I’d come visit because we didn’t want to waste a single moment. But I am so grateful for the memories I do have and can cherish in her absence. Madi, you were my family. I love you so much babes.
In the years since, I’ve been largely silent in my grief. It was – and remains to be – a private thing for me. I’ve never found it easy to share my feelings, and doing so after her passing felt more performative than truthful. Besides, the only person I really wanted to talk to about it was her.
The thing about grief that no one tells you is that it’s never truly gone. The sorrow is waiting for you in the darkness of insomniac nights, or in the brightness of a memory very nearly forgotten. Some people say that grief is love with nowhere to go. I think grief is the price we pay for love. It is the gold coins on our loved one’s eyes as they pass over the River Styx. To love someone is a privilege, and there is no privilege in this world that is free.
The Silent Patient by Alex Michaelides is a psychological thriller, and my goodness does it keep you on the edge of your seat. It’s one of those books that after you read it, you can’t describe it decently without giving away the ending. So, to avoid any spoilers, I’ll link to a synopsis of the plot here, and do my utmost to keep an air of *mystery* about the plot moving forward.
As a whole, I think TSP is well-written. There are two points of view (Theo and Alicia) and each has its own distinct voice. I sometimes find that two points of view in a book end up sounding like the same person – or rather, like a one-human play in which the same person just puts on a hat and an accent – but not here. It did help that there was a narrator for each of the main characters on the audiobook version. That aside, the speech patterns of both characters, and even the other characters in the story, felt distinctly different to each other.
The pacing of the book was quite good, and I found it to be driving forward nicely. In my opinion, it falters a bit around the 2/3 mark, but we’ll get into that later. That said, I blew through TSP. Even listening to it as an audiobook (narration time around 9 hours), I was finished in just two days.
Right up until the twist, I wasn’t sure what was going to happen. I kept wondering how on earth the two storylines would collide, if at all. Truly, I thought the book would end with the storylines being close but never really coming together as one. Maybe that’s just a bit of naïveté on my part, or maybe I was just that immersed in the story. I like to think I’m halfway decent at picking up on clues, but not with this book. The twist made me say “wow” out loud. That doesn’t happen often. In fact, the last time it did was when I read The Woman in Cabin 10 three years ago.
There was a portion about 2/3 of the way through the book in which Theo really does go on about a personal situation he finds himself in. I’ll not give any specifics, but trust me: you’ll know what I mean. This part of the book was very monotonous for me. If I’d been reading a hard copy instead of listening to the audiobook, I would have flipped ahead. Others might find the situation interesting, but in my opinion, it went on too long. Though, perhaps, the endless effect of it was true to how someone would feel in that situation in real life. Unsure… As a reader though, I’m not feeling it.
All in all, I give this title a solid 4.5/5. It was a good, engaging read that kept me wondering and interested. I would definitely recommend this to a friend, especially if that person is into thrillers.
A genie came to me today
with a different sort of deal.
“I’ll give you just one wish,” he said
“One wound that you can heal.”
So I sat upon the wishing tree
and contemplated my position.
I thought of heaven and of hell
and the price of their admission.
“What have you decided, girl?”
the genie said to me.
I said “You’ve given me just one wish
because you’ve heard the pain in me.”
The genie just stared
with a different sort of stare
and waited, not impatiently,
for my words to mix with air.
“Genie,” I said to him, standing from the tree.
“It seems you’ve set yourself a trap,
but the prey will not be me.”
I walked away from a genie today
and left his wish behind.
Sometimes price exceeds value,
and desires become unkind.
Fog drifted in from the depths of the mountains. It flowed into valleys and dry riverbeds, congealing the night’s blackness into a pool of sacrificial blood. The townspeople of Bruxin drew their curtains tight shut and whispered to each other about spirits and demons. The cool October fog whispered back: Beware.
Tucked into a grove of oak trees at the far edge of town lay a small cottage. Puffs of smoke tripped up the chimney to join the Halloween gloom. Through a small crack in the worn curtains, flickering light spilled onto gnarled tree trunks and watching eyes.
Ava Jenkins struck a long match. The flame sputtered to life before settling in to consume itself. She lit the circle of white candles one by one before blowing out the match. The halo of sea salt around the votives shimmered in the soft light. She sat cross-legged at the center of the circle. The clock on the mantle ticked softly.
“This is so stupid,” she said, loudly, as if to make sure any lurking phantoms heard. She stared at the Ouija board she’d dug out of the closet. Its letters were faded, smoky black. Hello, Yes, No, Goodbye. The last word filled Ava’s mind, echoed there, taunted her, reminded her that Mary hadn’t even said it.
The planchette stood innocently in the middle of the board, waiting for her touch to give it life. The glass center watched her chip off black nail polish. The shimmering raven flecks found the board like ash from a far-off fire. Light from the circle of candles bled through the glass and cast muted rainbows over the board. Rain tapped the window steadily.
It had been exactly a year since her best friend died. Ava had drifted through today, a ghost in her own right, unable to think or speak or breathe past her grief. The hole in her chest where Mary used to be felt especially cavernous, yawning wider and wider until Ava thought it might swallow her whole. As the last bell of the school day rang, she made a decision: it was time. She needed answers.
“I can’t believe you left without saying anything,” Ava whispered to the planchette. It regarded her wordlessly. A tear slipped from the end of her nose to join the bits of nail polish. She balled her fists tightly, relishing the bite of nails into palms.
The house shifted as old houses are wont to do. Thunder rolled across the sky two towns over and up Ava’s back, a warning.
Ava unclenched her fists. Crescent moons lay on her palms, two rows of four headstones. Trembling fingers found the smooth wood of the planchette. Careful not to move, not to pretend the board worked when it didn’t, Ava spoke.
Silence answered. The white candles burned around her without wavering. Voice shaking, she tried again.
“Mary? Mary, are you… are you here?”
The planchette jerked to one side. Ava’s eyes widened and she snatched away her fingers as though bitten.
“Nope, nope. Too creepy. What was I thinking?” Ava stood. Her long, dark hair brushed the board. A little hysterical laugh bubbled up from deep inside.
The planchette skittered across the Ouija. It bounced to a halt.
Three letters shrieked up at her through the glass eye. Yes.
“No way,” Ava breathed. “I just knocked it with my hair. That’s all. She’s not here. No one’s here.” But even as the words fell from her lips, she couldn’t bring herself to leave the protective circle.
The planchette twitched left, then right. Back on Yes.
For a moment, there was only the sound of creaking trees and Ava’s heartbeat. Her gaze slid up, up, up from the planchette to the mirror on the wall. An unfamiliar pale face stared back at her, head tilted curiously, framed by curtains of greasy black hair. Blood dripped from charcoal eyes, soaking into the girl’s stained nightgown.
“You dare to summon Mary?” the apparition asked, sharpened teeth glinting in the candlelight.
“W-wait. How…? You’re not —” Horror dawned on Ava’s face. “Oh no.”
The creature’s grin stretched as it watched panic play across its victim’s face. “Oh yes.”
Mary grasped the mirror’s frame, cracked fingernails digging into the gilded metal. She pulled herself forward and stepped out of the mirror. Gore spattered the wood floor with each halting step. Her joints crepitated sickeningly, but still she advanced on another unwitting victim.
Ava stumbled backward. Candles toppled over behind her. Their flames stared longingly at the wood below them, but they stayed their hunger, for now. Salt whispered beneath her feet. Don’t break the circle it said. Too late.
Mary let forth a shrill scream to the heavens. As if on command, the candles’ flames began lapping at everything they could touch.
At her back, Ava could feel the heat of the newborn wildfire. Her eyes darted to the door just as an icy gust swept Mary toward her. The scent of death and decay followed close behind. Frozen fingers found her neck and dug in, lifting her to the ceiling. Ava scrabbled against the demon to no avail, legs flailing uselessly.
“Please,” Ava choked. “I’m sorry. I was just trying to talk to my friend.”
Bloody Mary bore down harder. Her mouth split with the force of her grin. Crimson blood dripped from her lips.
“You will. I took her, too.”
I am searching for something that doesn’t exist
a secret that lives somewhere between
dusk and “I miss you”
hidden in that small voice in the back of your head
that whispers “you’re missing something” or
“what have you forgotten?”
an unexplored part of the pacific or the atlantic
or something in between I never could fathom –
maybe it says “you’re getting colder”
a memory (or was it a dream?) about that time
you gave me some small part of you
but I can’t find it now
and I’m looking in all the places you told me to put it
I am searching for something that doesn’t exist
because I swear there has to be something else
some innuendo dripping in ink still wet
spelling out all the ways I failed you
after every wretched moment
there really is nothing at all
Hello writers and readers!
I recently started reading “The Institute” by Stephen King. Here’s a synopsis from Amazon for those unfamiliar:
In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis’s parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there’s no window. And outside his door are other doors, behind which are other kids with special talents—telekinesis and telepathy—who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and ten-year-old Avery Dixon. They are all in Front Half. Others, Luke learns, graduated to Back Half, “like the roach motel,” Kalisha says. “You check in, but you don’t check out.”
In this most sinister of institutions, the director, Mrs. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts. There are no scruples here. If you go along, you get tokens for the vending machines. If you don’t, punishment is brutal. As each new victim disappears to Back Half, Luke becomes more and more desperate to get out and get help. But no one has ever escaped from the Institute.
As psychically terrifying as Firestarter, and with the spectacular kid power of It, The Institute is Stephen King’s gut-wrenchingly dramatic story of good vs. evil in a world where the good guys don’t always win.
Sounds good, right?! As soon as it was available in my local family-owned bookstore, I hopped on down to grab it… and got the last copy! I’m a huge Stephen King fan, so I couldn’t wait for this one. Plus, it’s spooky season… what better than a thriller?
I finally sat down to dig into this juicy 560 page beast and… I’m on page 5 and faced with a problem. Maybe a small thing, maybe not. Here it is: The main character cashes a plane voucher and pays an Uber driver upon arrival to the destination.
Anyone else see the problem here?
Plane vouchers are not changeable for cash, and Uber drivers are paid exclusively and automatically via the app.
Okay, yeah, these are little things. But why do they bother me so much? I’m able to suspend disbelief for fantasy stories with dragons flying every which way, but this voucher/Uber combo is killing me.
What if this were a fantasy story? Or a romance? Would I be faced with this same issue, or would I be able to suspend disbelief for the sake of the story? I think it comes down to the placement of the items. Say, for instance, a heroine in a romance cashes her plane voucher and pays her Uber driver directly in her climactic rush to her lover. These things would probably be blips on my radar because I’d be so invested in the story. Unfortunately, on page 5 of any book, I’m still trying to get invested. So, these seemingly little things stand out more than they might have otherwise.
So, writers and readers, what do you think? How and when can YOU suspend disbelief? Do certain authors or genres get a pass? Sound off below!